Oil Paintings
Here are a selection of my oil paintings.
You can scroll through each of them. If you have any quereis then do get in touch.
Flask Walk in Hampstead, London
Flask Walk in Hampstead, London
Flask Walk in Hampstead
For my subject, I chose to paint Flask Walk, a charming little walkway lined with shops and cafés, ending with a fine pub, The Flask. Interestingly, the name ‘Flask Walk’ comes from the flasks that were produced nearby to bottle mineral water from the Hampstead Wells.
You can buy this painting as a limited edition print here.
Hampstead is a true gift for a painter—I love all its hilly nooks and crannies.
I’m especially pleased that my painting sold on the very first day
A saddleback pig
A saddleback pig
Since moving from London to Somerset, I have become much more aware of livestock. I often visit local rural shows where various breeds are displayed. Among the pigs, you will find the Saddleback—a British breed recognized for its black body with a distinctive white “saddle” band around the shoulders and front legs.
You can buy this painting as a limited edition print now.
Hardy and adaptable, Saddlebacks thrive outdoors and are excellent foragers. Known for their docile temperament and high-quality meat, they are valued in sustainable farming and rare breed conservation. I have also noticed that they grow remarkably quickly—reaching an impressive size within just a year.
From time to time, you hear stories of pigs escaping onto vegetable plots. Once they do, they happily eat themselves senseless—a disaster, though still slightly amusing. That mix of character and charm struck me as the perfect subject for a painting.
The Allotment Show
The Allotment Show
A bit about The Allotment show.
The painting is based on an event at my mum’s allotment.
As the growing season nears its end the members organise an “Allotment show”. Quite a jovial affair. They pitch a large marquee, have a jumble sale and sell cake. At least thirty varieties of cake. So much cake!
A travellers caravan near Glastonbury Tor, Somerset
A travellers caravan near Glastonbury Tor, Somerset
A fictional scene based on the many traveller caravans situated around the foot of Glastonbury Tor in Somerset.
At it’s core, the painting is a celebration of the idea that happiness is about fulfilling and celebrating our needs rather than the mere accumulation of what we want or desire.
You can buy a limited edition print of The Caravan here.
Almost all the plants in the painting are common weeds such as the much-hated bindweed. You can also find Buddleia, known as the Butterfly plant. You can find Buddleia along railways lines and derelict sites all over the UK. When we had a house in Hackney in East London, I noticed a Buddleia growing out of a gutter at the top of the house. I was most reluctant to get rid of it.
In amongst the weeds, I’ve thrown in a dilapidated, somewhat ragged old chair, and provided a musical touch via a hand-cranked gramophone. For those who want to dance, there is a disco ball to jive beneath. What’s not to like?
The original of this painting currently hangs in the bar of The Crown Inn, Pilton, Somerset. Whilst there you can have a decent beer and very good meal.
The Tate and Lyle Sugar Refinery, Silvertown, London
The Tate and Lyle Sugar Refinery, Silvertown, London
The painting shows Thames Refinery in Silvertown established in 1878 by famous Victorian sugar merchant and philanthropist Sir Henry Tate. He’s most noted for bringing the sugar cube to the UK and establishing the Tate Gallery.
It is one of the last true industrial landscapes in London with many of the buildings dating from the 19th Century.
A view of a pineapple gate in West Compton Somerset
A view of a pineapple gate in West Compton Somerset
West Compton is a modest hamlet a few miles up the road from the village of Pilton where I live. I love this rather incongruous pineapple gate. They have a whiff of the Miss Havisham about them. You can buy this painting here.
A man waiting by his shed in an allotment
A man waiting by his shed in an allotment
A bit about Waiting in an allotment
My oil painting of an allotment. I really enjoy painting allotments, especially urban ones. I have indicated the city in the background with the row of Victorian terraces. These houses were based on the street where I used to live in Hackney, East London.
Allotments are unique places of community too, they are one of the few places in British society where you are actively encouraged to be innovative, and an individual. I would also say they are pretty classless too these days. Yes, The whole of life can be found on an allotment.
This painting featured at The Royal Academy Summer Exhibition a few years back.
The opening event was an odd day. I expected to turn up at Burlington House, have a few glasses of wine with the great and the good then finally search the rooms to see if my picture was in a ‘prime place’ to add a further boost to the day.
Not a bit of it. In the square we were all assembled (even the great and the good) only to be trooped over to St James’ Church across Piccadilly for a service of thanks. Such an odd thing to see Tracey Emin singing hymns and behaving impeccably whilst sporting her Royal Academy medal. I felt rather disappointed. A little part of me wanted her to be plastered, and do something outrageous in front of the vicar.
The Standard on the High Line, New York City
The Standard on the High Line, New York City
The Standard is in the old Meatpacking District which runs from West 14th Street south to Gansevoort Street, and from the Hudson River East to Hudson Street.
Denmark Street (Tin Pan Alley) in St Giles, London
Denmark Street (Tin Pan Alley) in St Giles, London
Denmark Street is a street on the edge of London’s West End in the previous notorious area of St Giles.
was developed in the 17th century which brought it up in the world and since the mid 20th century Denmark Street (Tin Pan Alley) has been associated with the development of British Popular music.
A bee in a country allotment
A bee in a country allotment
When we think of an allotment or garden our minds leap to the parts that interest us the most so, Roses will be right next to Snowdrops. With that in mind the allotment is laid out with all the seasons favourites together.
I took in a whole landscape and added a bee in amongst it all. It may take a while to spot. This inspired the title ‘A bee in a country allotment’.
A painting of Padstow in Cornwall
A painting of Padstow in Cornwall
It is refreshing to see that Padstow still has a fishing fleet. The Padstow boats were not at all shiny and bright like the restaurants they served, they were a bit rough ‘n’ ready – mostly rust-streaked with lobster pots and netting scattered over their decks. I decided that these boats and the tourists would make a decent painting.
This painting is available as a limited edition print
Cromer Pier and beach, Norfolk
Cromer Pier and beach, Norfolk
What we see today was built in 1902 and is 450 feet (140 m) long. It has had bandstands and roller-skating rings added over time, not to mention a lifeboat station. And Cromer Pier as popular as it’s ever.
I don’t know why we British have such a love for these odd structures. Why do we need to wander out on them, only to wander back again? Is it a bit like going on a ship? Or is it the feeling of space? I have no idea.
Commercial Street, Spitalfields, London
Commercial Street, Spitalfields, London
London’s East End is, and always has been in a state of flux. Nothing remains the same for long, and this instability gives rise to contrasts.
The painting is based on a crossing on Commercial Street in Spitalfields, and the original was exhibited at The New English Art Club’s Annual Open Exhibition at the Mall Galleries in Central London.
A few buildings on Charing Cross Road, London
A few buildings on Charing Cross Road, London
In my painting, I have chosen the view of the junction of Charing Cross Road (left to right) and Old Compton Street (ahead). At the far left is Cambridge Circus with the Junction of Shaftsbury Avenue.
The Greenwich Waterfront circa 1930
The Greenwich Waterfront circa 1930
I love a bit of history, so I was thrilled to be asked to paint the Greenwich waterfront. Interestingly, my client did not want a contemporary view but how the area looked circa 1930.
A painting of Symonds Yat in the Forest of Dean
A painting of Symonds Yat in the Forest of Dean
A painting of the River Wye in the Forest of Dean as viewed from the Ancient hill fort of Symonds Yat in Herefordshire.
Glastonbury festival Car Henge storage area
Glastonbury festival Car Henge storage area
I visited the Glastonbury festival Carhenge storage area to do a bit of painting. Here the eclectic, dystopian vehicles and sculptures are stored whilst the festival is not running.
The Park Stage at the Glastonbury Festival
The Park Stage at the Glastonbury Festival
One of my favourite stages at the Glastonbury festival is the Park Stage.I painted the initial ideas for it on a very tired Sunday afternoon on the last day of the festival.
The Market Porter pub, Borough Market, London
The Market Porter pub, Borough Market, London
Here is The Market Porter public house in Borough market, London. The name ‘The Market Porter‘ came from Victorian times in the 1890’s, its previous name being The Harrow.
Glastonbury-on-Sea pier painting at The Glastonbury Festival
Glastonbury-on-Sea pier painting at The Glastonbury Festival
The Great British seaside tradition of wandering along the seafront and up the Pier. Set in a new sea of tents, with marvellous views across the entire site, the sunsets are spectacular!
A selection of four oil paintings
A selection of four oil paintings
A group of 15cm x 15cm paintings showing a number of scenes.
A selection of four oil paintings
A selection of four oil paintings
A group of 15cm x 15cm paintings showing a number of scenes including Somerset and Devon.